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    StrategyAugust 22, 2026Earworm

    Is It Too Late to Start a Podcast? The Honest 2026 Answer for Businesses

    Is it too late to start a podcast? Only one in seven feeds still publish, launches are down 80% since 2020 and UK listening is rising. What that means for B2B.

    Illustration of a lone microphone lit on a studio stage beside thousands of dimmed, silent microphones, representing whether it is too late to start a podcast in 2026

    Is it too late to start a podcast? No, but it is too late to start a lazy one. The honest 2026 answer is that the headline number (nearly four million podcasts) measures everything ever uploaded, not what you are competing with. Of the 3.8 million feeds in the Listen Notes database, only 519,708 had published anything by the end of June 2026, roughly one in seven. Meanwhile, new launches have fallen from over a million a year in 2020 to around 200,000, and UK listening keeps climbing: 27% of adults now listen every week, up from 23% a year earlier.

    So the field is thinner than it looks and the audience is bigger than it was. What has changed is the bar. Video and YouTube have rewritten how shows get found, and the shows still being abandoned are the ones launched without a reason to exist. This guide covers what has shifted since 2020, who should not start a podcast, and what a B2B show should chase instead of downloads.

    27%
    of UK adults listen to podcasts weekly (Ofcom, 2026)
    ~1 in 7
    of all podcast feeds published an episode in H1 2026 (Listen Notes)
    210k
    new podcasts launched in 2025, down from 1.02m in 2020 (Listen Notes)

    Is It Too Late to Start a Podcast? The Short Answer

    The fear behind the question is saturation: everyone has a show, so yours will disappear. The data says otherwise. Saturation is a story about supply, and supply has been collapsing for five years while demand has grown. In 2020, lockdown and cheap USB microphones produced 1,020,482 new podcasts. By 2024 that figure was 200,725, and 2025 barely moved it to 210,315. The gold rush ended. What remains is a smaller number of people launching shows they intend to keep making.

    New podcasts created per year, 2020 to 2025
    20202021202220232024202503000006000009000001200000
    Source: Listen Notes podcast stats, as of 19 August 2026. The 2020 spike was the pandemic launch wave; the market has settled at roughly a fifth of that volume.

    Now the demand side. Ofcom's Media Nations 2026 report puts weekly podcast listening at 27% of UK adults aged 15 and over, up from 7% a decade ago, with monthly listening more than doubling since 2019 (18% to 39%, or 43% once video podcasts are counted). RAJAR's MIDAS Spring 2026 study counts 93 million hours of podcast listening in an average UK week, with listeners averaging 6.4 hours each. Fewer new shows, more hours to fill. That is not a saturated market. It is a maturing one.

    Maturing is the important word, though. A maturing market rewards competence and punishes the half-hearted far faster than a gold rush does.

    What Has Changed Since 2020

    Four shifts explain why a well-made show has a better chance now than it did in 2020.

    1. The dormant majority

    Listen Notes is blunt about why its total is lower than some rivals: other databases "inflate these numbers by including" deleted feeds, empty feeds, test clips and AI-generated audio. Even on its conservative count, roughly 3.3 million of the 3.8 million have gone quiet. When you launch, you are competing with the half million shows still publishing, not the graveyard.

    2. Video became the default discovery layer

    This is the biggest change, and the one most "should I start a podcast" articles miss. Ofcom's 2026 podcast survey found that 68% of weekly listeners ever listen to podcasts that also have video, rising to 79% among 16 to 34 year olds, and 44% say they find video podcasts more engaging. In the US, Edison Research reports that video podcast consumption overtook audio-only for the first time in Q3 2025. YouTube says it now has more than a billion monthly viewers of podcast content. A podcast in 2026 is a video programme with an audio feed attached, which is why every show we make is a video podcast.

    3. Search and social replaced the charts

    In 2020, discovery meant the Apple chart and a lucky feature. Today, RAJAR's discovery data shows UK listeners finding shows through word of mouth (28%), social media (24%) and YouTube (16%), with podcast-app charts and suggestions at 17%. In the US, the Podcast Discovery Playbook 2026 found that 78% of YouTube podcast users find shows by searching. Rankings no longer decide your fate. Findability, clips and recommendations do, which is a far more level playing field for a new show with a specific audience. Our guide to how to grow a podcast covers the mechanics.

    4. The audience got older, more senior and more valuable

    Signal Hill Insights found that among executives at organisations with 500 or more employees, 83% had listened to a podcast in the past week, and they were twice as likely as other listeners to consume five hours or more. The people you want to reach are already in the habit. The question is whether they find your show or someone else's.

    What Percentage of Podcasts Fail?

    There is no official failure rate, and the figures you will see quoted online (often "90% quit after three episodes") have no traceable source. The closest honest measure is activity. If "failed" means "stopped publishing", then on Listen Notes' count, around 86% of all feeds ever created had not released an episode in the first half of 2026. Some were limited series that finished as planned. Most simply stopped.

    Why they stopped matters more than the percentage. The causes are rarely technical. Shows die because nobody defined who they were for, because the host ran out of things to say by episode eight, or because six months in nobody could point to a business outcome and the budget went elsewhere. All of that is avoidable at the planning stage, which is what our guide on how to start a business podcast is for.

    The podcasts that fail do not lose to competition. They lose to their own lack of a reason to exist.

    — Earworm

    Who Should Not Start a Podcast

    We make podcasts for a living, so take it as sincere when we say some businesses should not. If any of the following describes you, wait or choose another channel.

    • You want results inside a quarter. A podcast compounds over twelve months, not twelve weeks. If this quarter's pipeline is the problem, paid media or outbound will serve you better.
    • Nobody senior will commit the time. A show needs a host who turns up, prepares and cares, every fortnight, for at least a year. If that person is "whoever is free", the show will be whoever-is-free quality.
    • You cannot name the listener. "Business leaders" is not an audience. "Finance directors at UK firms between 200 and 2,000 employees who are replacing their expense tooling" is. If you cannot describe the person and what they would get from forty minutes with you, you do not yet have a show. Our piece on why start a podcast works through this.
    • You are doing it because a competitor did. A show built on "we should have one too" has no point of view, and audiences can tell within an episode.
    • You plan to measure it on downloads alone. If the only number the board will accept is total plays, a niche B2B show will always look like a failure next to a consumer hit, and it will be cancelled for the wrong reasons. Read podcast metrics that matter before you pitch it internally.

    What "Winning" Means for a B2B Podcast in 2026

    The mistake behind most "is it too late" anxiety is measuring a business show against the charts. A consumer podcast wins by reaching millions. A B2B podcast wins by reaching the few thousand people who can sign a contract, then doing something with that attention. On that definition, the competition is not 500,000 active shows. It is the handful that speak to your buyers, and in most UK B2B niches that handful is small or non-existent.

    Edelman and LinkedIn's research found that 75% of decision-makers and C-suite executives say a piece of thought leadership has led them to research a product or service they were not previously considering. A podcast is the most scalable way to produce that consistently: one recording session yields a full episode, a dozen clips, a newsletter and a set of talking points for sales.

    Consumer podcast scoreboardB2B podcast scoreboard
    Total downloadsNamed target accounts reached
    Chart positionSearch visibility for buyer questions
    Ad revenue per thousandGuests who became customers, partners or referrers
    Subscriber countClip engagement from the right job titles on LinkedIn
    ReviewsPipeline influenced and sales cycle shortened

    Shows we produce such as The CFO Playbook for Soldo and The Art of Investing for IG are built on the right-hand column. Their job is to put a senior voice in front of a specific audience, week after week, until that audience thinks of the brand first.

    What to Do Instead of Chasing Downloads

    If your answer to "is it too late to start a podcast" is no, this is what separates the shows that compound from the ones that join the dormant majority.

    Treat guests as pipeline, not content

    The most reliable commercial return from a B2B podcast comes from who sits in the chair. Inviting a target account's decision-maker to talk about their work for forty minutes builds a relationship no cold email can. Book guests from your ideal customer list, your partners and your existing customers in roughly equal measure, and the show becomes a structured reason to talk to the people you most want to talk to. It is why a show can succeed commercially with a tiny audience, a point we expand on in how to start a podcast with no audience.

    Build for search from the first episode

    Title episodes as questions your buyers type into YouTube and Google, not as wordplay. Write proper descriptions and publish transcripts. An episode titled "How mid-market CFOs should evaluate spend management software" will still be finding the right viewers two years after "Episode 14: Money talks" has vanished.

    Make clips the product, not the by-product

    Most of your audience will never hear a full episode, and that is fine. Sprout Social's research shows LinkedIn users still lean towards text posts, so clips work best paired with a written point of view from the host. Each episode should produce a fortnight of posts, which is why a podcast marketing function matters as much as the recording.

    Record in a proper studio, on camera

    Ofcom notes that 43% of listeners ever use a TV to watch a podcast. On a living-room screen, production quality signals credibility in a way it did not when everyone was on Zoom. A lit studio set and a multi-camera edit is the difference between looking like a brand and looking like a webinar, which is what our podcast production services deliver from the Bristol studio and partner studios in London.

    Report on pipeline, and agree the metrics before launch

    Before the first recording, agree with leadership what success looks like at three, six and twelve months: accounts reached, guests converted, gated downloads, site visits from episode links, deals where the show appeared in the journey. Report on those numbers monthly; the framework is in our guide to podcast ROI. A show measured on the right things survives budget reviews. A show measured on downloads does not.

    So, Should You Start a Podcast in 2026?

    Start one if you can name the listener, commit a credible host for a year, record on video, build for search and measure on pipeline. On those terms the market has never been better: fewer serious competitors, a larger and more senior audience, and discovery that rewards relevance over chart luck. Do not start one if you want quick wins, cannot describe the audience, or plan to judge it on plays. The only bad outcome is launching without deciding, and joining the 3.3 million feeds that went quiet.

    If you are weighing it up, our B2B podcast production team will give you an honest read on whether a show makes sense for your market. Get in touch and bring your ten episode titles.

    FAQs

    Is it too late to start a podcast in 2026?

    No. New launches have fallen by around 80% since 2020, only about one in seven existing feeds published anything in the first half of 2026, and UK weekly listening rose from 23% to 27% of adults in a year. The difference is that a successful show now needs video, a defined audience and a search-led distribution plan rather than a chart placement.

    Are podcasts growing or declining?

    Listening is growing and creation is declining, which is good news for anyone launching now. Ofcom puts weekly UK podcast reach at 27% of adults, up from 7% a decade ago, while Listen Notes records roughly 200,000 new shows a year, down from over a million in 2020.

    What percentage of podcasts fail?

    There is no audited failure rate, and figures like "90% quit after three episodes" have no traceable source. The best proxy is activity: of around 3.8 million podcasts in the Listen Notes database, about 520,000 published an episode in the first half of 2026, so roughly 86% of all feeds ever created are now inactive.

    Should I start a podcast for my business?

    Yes, if you can name the specific buyer the show is for, commit a senior host for at least a year, produce it on video and measure it on pipeline rather than downloads. No, if you need results within a quarter, cannot describe the audience, or would be doing it only because a competitor has one.

    How many podcasts are actually active?

    Listen Notes reported 519,708 podcasts publishing at least one episode in the first half of 2026, against a database of about 3.8 million feeds. The number you compete with is the active figure, not the total.

    Do I need video to start a podcast now?

    For a business show, effectively yes. Ofcom found 68% of UK weekly listeners consume podcasts that also have video, rising to 79% of 16 to 34 year olds. An audio-only show forgoes the platform where most new audiences are found, and the clip library that feeds LinkedIn.